THE CALLER

When Sam answers a call from an unknown number, his life turns into a waking nightmare. A mysterious voice assigns him deadly tasks, each more twisted than the last. But as the torment deepens, a more terrifying question emerges—are these orders real, or is he fighting something far worse within himself?

Trapped in a psychological battleground where truth and illusion blur, The Caller unravels the silent war men face with their own mental health. As Sam spirals through self-discovery, madness, and eerie déjà vu, one thing becomes clear: the greatest horror isn’t the voice on the other end of the line—it’s the one inside his head.

Dare to pick up?

Keri O'Shea - (Warped Perspective)

In amongst recent press emails, The Caller (2025) stood out for one key reason: it’s a film made by one person (Andy Blithe). What that means here is: one person acts, and the same person makes up all of the crew, too. An interesting fact and no doubt an important project personally, then, but fortunately this is no gimmick and nor does it overshadow the value of the film itself, being a brief but skilfully-made, surprisingly complex treatment of trauma, isolation and the individual.

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Screenshot One

Sam finds himself assigned to kill another victim

Screenshot Two

Getting rind of the evidence

Screenshot Three

Reflecting on the days before and the days to come.